New Conversation with Maya Fuhr
Modern Art, Paris
Problems and other stories presents new work by Collier Schorr, marking her first exhibition in Paris. Bringing together photographs, collages, drawings, notes, and video made over the past seven years, the show continues Schorr’s ongoing exploration of gender, sexuality, and identity.
Across four decades, Schorr has consistently unsettled fixed ideas of desire, masculinity, and nationhood. Here, her focus turns toward kinship, embodiment, and the spaces people inhabit – asking who images are for, and how they hold the complexities of lived experience.
Mar 5 – Apr 4, 2026
Pace Gallery, New York
Chuck Close: On Paper brings together a wide-ranging selection of works by Chuck Close, from large-scale watercolors and Polaroids to drawings, maquettes, and prints, highlighting the central role paper played across his practice.
Since the 1970s, Close became known for his rigorous approach to portraiture, translating photographic images into meticulously gridded compositions. Working against the prevailing currents of Minimalism, Pop art, and abstraction, he reasserted portraiture as a conceptual field – methodical, exacting, and quietly radical.
Mar 12 – Apr 25, 2026
Gagosian, New York
Painting with Scattered Brushstrokes revisits the work of Roy Lichtenstein, bringing together key paintings, sculpture, and works on paper from the 1970s and ’80s drawn from the Lichtenstein Family Collection. Centered on the brushstroke as both image and idea, the exhibition traces one of the artist’s most iconic motifs.
First explored in the mid-1960s, Lichtenstein’s brushstrokes transform the expressive gesture of painting into something precise, graphic, and self-aware. Flattened into bold contours and blocks of color, they playfully echo the spontaneity of Abstract Expressionism while questioning notions of authorship, style, and originality.
Mar 19 – Apr 25, 2026
David Kordansky Gallery, Los Angeles
Spanning 1982 to 2015, the exhibition pairs Woodman’s exuberant ceramic sculptures with Murray’s iconic shaped canvases, revealing a shared impulse to blur the line between painting and object. Both artists treat the wall as an active partner, using color, form, and space to dissolve the boundaries between two and three dimensions while reimagining the domestic and architectural language of art.
Mar 19 – Apr 25, 2026
Bowman Hal, Madrid
In a new body of work, Paul McCarthy collaborates with Lilith Stangenberg to explore the uneasy terrain where power, desire, and performance intersect. Drawing loosely on The Night Porter by Liliana Cavani, the project unfolds through film, performance, and drawing sessions in which identities shift and collide—Adolf and Eva, Adam and Eve, father and daughter—probing the psychological structures that linger beneath history and culture.
Opens Mar 6, 2026
Karma, New York
In the paintings of Tamo Jugeli, composition begins not at the center but at the margins. Her abstractions radiate inward from gestures made along the edge of the canvas – a starting point that leaves the boundaries deliberately open, as if each painting might continue beyond itself.
Working directly in oil without preparatory studies, Jugeli responds instinctively to earlier marks and tonal shifts as the work unfolds. The large-scale abstractions in From 5 to 7, created over the past year for parallel presentations at Karma and Polina Berlin Gallery, form two distinct yet connected bodies of work. Shapes reappear across the canvases, subtly shifting with each iteration – less recurring motifs than what the artist describes as “muscle memory.”
Mar 18 – Apr 30, 2026
Modern Art, Paris
Problems and other stories presents new work by Collier Schorr, marking her first exhibition in Paris. Bringing together photographs, collages, drawings, notes, and video made over the past seven years, the show continues Schorr’s ongoing exploration of gender, sexuality, and identity.
Across four decades, Schorr has consistently unsettled fixed ideas of desire, masculinity, and nationhood. Here, her focus turns toward kinship, embodiment, and the spaces people inhabit – asking who images are for, and how they hold the complexities of lived experience.
Mar 5 – Apr 4, 2026
Pace Gallery, New York
Chuck Close: On Paper brings together a wide-ranging selection of works by Chuck Close, from large-scale watercolors and Polaroids to drawings, maquettes, and prints, highlighting the central role paper played across his practice.
Since the 1970s, Close became known for his rigorous approach to portraiture, translating photographic images into meticulously gridded compositions. Working against the prevailing currents of Minimalism, Pop art, and abstraction, he reasserted portraiture as a conceptual field – methodical, exacting, and quietly radical.
Mar 12 – Apr 25, 2026
Gagosian, New York
Painting with Scattered Brushstrokes revisits the work of Roy Lichtenstein, bringing together key paintings, sculpture, and works on paper from the 1970s and ’80s drawn from the Lichtenstein Family Collection. Centered on the brushstroke as both image and idea, the exhibition traces one of the artist’s most iconic motifs.
First explored in the mid-1960s, Lichtenstein’s brushstrokes transform the expressive gesture of painting into something precise, graphic, and self-aware. Flattened into bold contours and blocks of color, they playfully echo the spontaneity of Abstract Expressionism while questioning notions of authorship, style, and originality.
Mar 19 – Apr 25, 2026
David Kordansky Gallery, Los Angeles
Spanning 1982 to 2015, the exhibition pairs Woodman’s exuberant ceramic sculptures with Murray’s iconic shaped canvases, revealing a shared impulse to blur the line between painting and object. Both artists treat the wall as an active partner, using color, form, and space to dissolve the boundaries between two and three dimensions while reimagining the domestic and architectural language of art.
Mar 19 – Apr 25, 2026
Bowman Hal, Madrid
In a new body of work, Paul McCarthy collaborates with Lilith Stangenberg to explore the uneasy terrain where power, desire, and performance intersect. Drawing loosely on The Night Porter by Liliana Cavani, the project unfolds through film, performance, and drawing sessions in which identities shift and collide—Adolf and Eva, Adam and Eve, father and daughter—probing the psychological structures that linger beneath history and culture.
Opens Mar 6, 2026
Karma, New York
In the paintings of Tamo Jugeli, composition begins not at the center but at the margins. Her abstractions radiate inward from gestures made along the edge of the canvas – a starting point that leaves the boundaries deliberately open, as if each painting might continue beyond itself.
Working directly in oil without preparatory studies, Jugeli responds instinctively to earlier marks and tonal shifts as the work unfolds. The large-scale abstractions in From 5 to 7, created over the past year for parallel presentations at Karma and Polina Berlin Gallery, form two distinct yet connected bodies of work. Shapes reappear across the canvases, subtly shifting with each iteration – less recurring motifs than what the artist describes as “muscle memory.”
Mar 18 – Apr 30, 2026
